I Started With Straight, Basic, Symbolic Structures.

Every Intelligent Painter Carries The Whole Culture Of Modern Painting In His Head. It Is His Real Subject, Of Which Everything He Paints In Both An Homage And A Critique, And Everything He Says Is A Gloss.

In The End I Realize That Whatever Meaning That Picture Has Is The Accumulated Meaning Of Ten Thousand Brushstrokes, Each One Being Decided As It Was Painted.

Art Is Much Less Important Than Life, But What A Poor Life Without It.

Any Incentive To Paint Is As Good As Any Other. There Is No Poor Subject.

Without Ethical Consciousness, A Painter Is Only A Decorator.