I Realized That Everyone In Western Society,

Upon Arriving In The Capital-f Future, We Discover It, Invariably, To Be The Lower-case Now.

All We Really Have When We Pretend To Write About The Future Is The Moment In Which We Are Writing. That's Why Every Imagined Future Obsoletes Like An Ice Cream Melting On The Way Back From The Corner Store.

When I Was First Writing About Japan, It Was At The Peak Of The Bubble. Bubble Popped, But They Kept On Going. Japanese Street Style Feeds American Iconics Back Into America In Somewhat The Way English Rock Once Fed American Blues Back Into America.

I Watch A Sort Of Primitive Form Of The Recommodification Machine Around My Friends And Myself In Sixties, And It Took About Two Years For This Clumsy Mechanism To Get And Try To Sell Us The Monkees. In 1977, It Took About Eight Months For A Slightly Faster More Refined Mechanism To Put Punk In The Window Of Holt Renfrew. It's Gotten Faster Ever Since. The Scene In Seattle That Nirvana Came From: As Soon As It Had A Label, It Was On The Runways Of Paris.there's No Grace Period, So That's A Way In Which I See Us Losing The Interstitial.

We See In Order To Move; We Move In Order To See.