I Loved Writing A Book In Which,

Chicago Happened Slowly, Like A Migraine. First They Were Driving Through Countryside, Then, Imperceptibly, The Occasional Town Became A Low Suburban Sprawl, And The Sprawl Became The City.

I Asked Him If It Were A Mirage, And He Said Yes. I Said It Was A Dream, And He Agreed, But Said It Was The Desert's Dream Not His. And He Told Me That In A Year Or So, When He Had Aged Enough For Any Man, Then He Would Walk Into The Wind, Until He Saw The Tents. This Time, He Said, He Would Go On With Them.

I Love Writing In Longhand. Writing In Longhand, I Think, Is A Marvelous Thing To Do For A Writer These Days. If You Have A Notebook And A Nice Pen You Can Go Off Somewhere, You Can Write That's Solar Powered. You Can Drop It Or Get It Wet And Pretty Much All Of Your Work Will Continue To Be There. If You Suddenly Decide To Look Up A Word Or Check A Reference You Will Not Look Up Four Hours Later, Blinking, Finding Yourself Somehow In The Middle Of An Ebay Auction You Never Had Any Plans To Be Part Of.

The Fallen Autumn Leaves Were Slick Beneath Bod's Feet, And The Mists Blurred The Edges Of The World. Nothing Was As Clean-cut As He Had Thought It, A Few Minutes Before.

Rule One Of Reading Other People's Stories Is That Whenever You Say 'well That's Not Convincing' The Author Tells You That's The Bit That Wasn't Made Up. This Is Because Real Life Is Under No Obligation To Be Convincing.