I Knew What Love Was Supposed To

I Sink Down Into My Body As Into A Swamp, Fenland, Where Only I Know The Footing…. I’m A Cloud, Congealed Around A Central Object, The Shape Of A Pear, Which Is Hard And More Real Than I Am And Glows Red Within Its Translucent Wrapping. Inside It Is A Space, Huge As The Sky At Night And Dark And Curved Like That, Though Black-red Rather Than Black.

I Walk Away From Him. It's Enormously Pleasing To Me, This Walking Away. It's Like Being Able To Make People Appear And Vanish, At Will.

I Don't Think Of Poetry As A 'rational' Activity But As An Aural One. My Poems Usually Begin With Words Or Phrases Which Appeal More Because Of Their Sound Than Their Meaning, And The Movement And Phrasing Of A Poem Are Very Important To Me.

To Live In Prison Is To Live Without Mirrors. To Live Without Mirrors Is To Live Without The Self. She Is Living Selflessly, She Finds A Hole In The Stone Wall And On The Other Side Of The Wall, A Voice. The Voice Comes Through Darkness And Has No Face. This Voice Becomes Her Mirror.

Every Ending Is Arbitrary, Because The End Is Where You Write The End. A Period, A Dot Of Punctuation, A Point Of Stasis. A Pinprick In The Paper: You Could Put Your Eye To It And See Through, To The Other Side, To The Beginning Of Something Else. Or, As Tony Says To Her Students, Time Is Not A Solid, Like Wood, But A Fluid, Like Water Or The Wind. It Doesn't Come Neatly Cut Into Even-sized Length, Into Decades And Centuries. Nevertheless, For Our Purposes We Have To Pretend It Does. The End Of Any History Is A Lie In Which We All Agree To Conspire.