I Have A Very Tiny House In

Stand-up Is Something I Just Truly Love To Do, So I'll Always Go Back To It. I'll Never Stop Doing It, That's For Sure.

You Know, In Los Angeles, You're Constantly In Your Car, You're Sealed Up, You're Not Walking Around. Whereas In New York, After A While, All Your Stuff Is Kind Of Public, In One Way Or The Other. I'm Not Saying Either One Of Those Is Bad; They're Both Great For A Very Specific Kind Of Comedian. And I'm Glad That They Both Exist.

Every Audience Is Different, Even Within The Same Venue. You Have To Just Make Every Audience Your Audience; You Can't Pre-judge An Audience Based On The Size Of The Room Or The Type Of Room.

When You Act, You're Being Asked To Pretend In A Very Rigid, Controlled Environment. It's Very Un-childlike. So A Lot Of Times, When You Put Kids In That Situation, You Hope They Have A Better Support System Outside Of What They're Doing To Bring Them Back To Reality At The End Of The Day And To Keep Them Well-rounded.

I Have A Lot Of Friends Who Were Stand-ups, And They Just Stopped After A While, Because They Didn't Like That Battle, Or They Just Couldn't Do It. And Then They Would Get On A Sitcom And Get Visible And Get Back Into It, Because The Audience Was Just Way Easier On Them. But They Lost Those Crucial Years Of Learning To Turn Any Audience Into Your Audience.