I Don't Think People Need To Know

The Framed Tale Is, In My Opinion, One Of The Most Natural Ways To Tell A Story. If You Think Of It, The Conceit Of The Frame-less Story Is Actually The Odd Way Of Doing Things. Without The Frame, How Do You Know The Context For A Story?

However, While Being Able To Think About Two Things At The Same Time Is A Terribly Convenient, The Training It Takes To Get There Is Frustrating At Best, And At Other Times Rather Disturbing. I Remember One Time I Looked For The Stone For Almost An Hour Before I Consented To Ask The Other Half Of Me Where I'd Hidden It, Only To Find I Hadn't Hidden The Stone At All. I Had Merely Been Waiting To See How Long I Would Look Before Giving Up. Have You Ever Been Annoyed And Amused With Yourself At The Same Time? It's An Interesting Feeling, To Say The Very Least.

In The Hours That Followed, I Learned That Ademic Hand Gestures Did Not Actually Represent Facial Expressions. It Was Nothing So Simple As That. For Example A Smile Can Mean You're Amused, Happy, Grateful, Or Satisfied. You Can Smile To Comfort Someone. You Can Smile Because You're Content Or Because You're In Love. A Grimace Or A Grin Look Similar To A Smile, But They Mean Entirely Different Things. Imagine Trying To Teach Someone How To Smile. Imagine Trying To Describe What Different Smiles Mean And When, Precisely, To Use Them In Conversation. It's Harder Than Learning To Walk.

I Think One Of The Biggest Mistakes You Can Make As A Writer Is To Follow Your Initial [writing] Plan Too Stringently. A Story Needs Room To Grow And Evolve.

I've Never Really Understood The Desire People Have To Quantify A Baby. "he's X Big And Y Long," As If The Baby Is A Fish You're Not Sure You're Going To Keep. Or Some Prize Potato You're Hoping Will Win A Prize At The County Fair.