I Can't Imagine Love Without A Sexual

I've Made Films About The Middle Classes Because I Know Them Best. Everyone Talks About What He Knows Best.

The Script Is A Starting Point, Not A Fixed Highway. I Must Look Through The Camera To See If What I've Written On The Page Is Right Or Not. In The Script, You Describe Imagined Scenes, But It's All Suspended In Mid-air. Often, An Actor Viewed Against A Wall Or A Landscape, Or Seen Through A Window, Is Much More Eloquent Than The Lines You've Given Him. So Then You Take Out The Lines. This Happens Often To Me And I End Up Saying What I Want With A Movement Or A Gesture.

I'm More Or Less Skeptical About Marriage, Because Of Family Ties, Relations Between Children And Parents - It's All So Depressing.

Till Now I Have Never Shot A Scene Without Taking Account Of What Stands Behind The Actors Because The Relationship Between People And Their Surroundings Is Of Prime Importance.

After You've Learned Two Or Three Basic Rules Of Cinema Grammar, You Can Do What You Like - Including Breaking Those Rules.