Here's How Much I Know About Hockey.

We Don't Have A Lot Of Class-conscious Filmmaking.

I Felt It Would To Add A Great Deal To My Legend For Eccentricity.

In The Vast Majority Of Movies, Everything Is Done For The Audience. We Are Cued To Laugh Or Cry, Be Frightened Or Relieved; Hitchcock Called The Movies A Machine For Causing Emotions In The Audience. Bresson (and Ozu) Take A Different Approach. They Regard, And Ask Us To Regard Along With Them, And To Arrive At Conclusions About Their Characters That Are Our Own. This Is The Cinema Of Empathy.

Horror Fans Are A Particular Breed. They Analyze Films With Such Detail And Expertise That I Am Reminded Of The Canadian Literary Critic Northrup Frye, Who Approached Literature With Similar Archetypal Analysis.

Political Correctness Is The Fascism Of The 90's, It Is This Rigid Feeling That You Have To Keep Your Ideas And Your Way Of Looking At Things Within Very Narrow Boundaries Or Else You'll Offend Someone. Certainly One Of The Purposes Of Journalism Is To Challenge Just That Way Of Thinking, And Certainly One Of The Purposes Of Criticism Is To Break Boundaries, That's Also One Of The Purposes Of Art.