Henceforth I Would Have To Cosent To

Language Is Neither Reactionary Nor Progressive; It Is Quite Simply Fascist; For Fascism Does Not Prevent Speech, It Compels Speech.

The Photographic Image... Is A Message Without A Code.

In 1850, August Salzmann Photographed, Near Jerusalem, The Road To Beith-lehem (as It Was Spelled At The Time): Nothing But Stony Ground, Olive Trees; But Three Tenses Dizzy My Consciousness: My Present, The Time Of Jesus, And That Of The Photographer, All This Under The Instance Of 'reality' - And No Longer Through The Elaborations Of The Text, Whether Fictional Or Poetic, Which Itself Is Never Credible Down To The Root.

Great Portrait Photographers Are Great Mythologists.

I Am Interested In Language Because It Wounds Or Seduces Me.