Grandeur Of Effect Is Produced By Two

Raphael And Titian Seem To Have Looked At Nature For Different Purposes; They Both Had The Power Of Extending Their View To The Whole; But One Looked Only For The General Effect As Produced By Form, The Other As Produced By Colour.

There Can Be No Doubt But That He Who Has The Most Materials Has The Greatest Means Of Invention.

The Great Use Of Copying, If It Be At All Useful, Should Seem To Be In Learning Color; Yet Even Coloring Will Never Be Perfectly Attained By Servilely Copying The Model Before You.

Art In Its Perfection Is Not Ostentatious; It Lies Hid And Works Its Effect, Itself Unseen.

But Young Men Have Not Only This Frivolous Ambition Of Being Thought Masters Of Execution, Inciting Them On The One Hand, But Also Their Natural Sloth Tempting Them On The Other. They Are Terrified At The Prospect Before Them, Of The Toil Required To Attain Exactness. The Impetuosity Of Youth Is Disgusted At The Slow Approaches Of A Regular Siege, And Desires, From Mere Impatience Of Labour, To Take The Citadel By Storm. They Wish To Find Some Shorter Path To Excellence, And Hope To Obtain The Reward Of Eminence By Other Means, Than Those Which The Indispensable Rules Of Art Have Prescribed.