Given The Choice Of Hollywood Or Poking

I Mean, Artistic Processes Are All About Making Choices All The Time, And The Very Act Of Making A Choice Is The Distilling Down And The Getting To The Core Of What It Is That You Care About And What You Want To Say, Really.

Films Are Made All Over The World All The Time And Only A Thin Slice Of That Product Is Hollywood.

For Me The Journey Of Making A Film Is A Journey Of Discovery As To What That Film Is. I Mean What I Do Is What Other Artists Do, Painters, Novelists, People That Make Music, Poets, Sculptors, You Name It. It's About Starting Out And Working With The Material And Discovering Through Making, Working With The Material The Artifact.

But Films Should Be Voyeuristic. What Else Is A Film If You’re Not Snooping Into Somebody Else’s Lives?

If I'm Ever Working On A Set And Anyone Talks About A Master Shot, I Say There Is No Master Shot. Before I Even Went To Film School, I Learned About Movies By Being In A British Feature Film, Where Everything Was Shot Master Shot, Mid-shot, Close-up. But I Reject The Idea Of A Master Shot. You Don't Shoot Everything Mechanically; You Find Imaginative Ways That Serve The Action.