For Sheer Majestic Geography And Sublime Scale,

I Was A Consultant For Kodak Back In The Late 80's. There Were Engineers There Who Told Me That In The Future, Most Photographs Would Be Taken On Telephones. They Weren't Able To Do Anything With That. They Were Engineers, Not Management.

One Of The Things That I Most Believe In Is The Compose And Wait Philosophy Of Photography. It’s A Very Satisfying, Almost Spiritual Way To Photograph. Life Isn't’ Knocking You Around, Life Isn't Controlling You. You Have Picked Your Place, You’ve Picked Your Scene, You’ve Picked Your Light, You’ve Done All The Decision Making And You Are Waiting For The Moment To Come To You.

When I First Went To 'national Geographic,' I Thought I Was The Least Qualified Person To Step Through The Doors. But Because Of My Parents And The Culture Of Continual Learning They Imposed On Us, I Later Came To Believe I Was The Most Qualified Person Who Ever Worked There.

For Spiritual Companions I Have Had The Many Artists Who Have Relied On Nature To Help Shape Their Imagination. And Their Most Elaborate Equipment Was A Deep Reverence For The World Through Which They Passed. Photographers Share Something With These Artists. We Seek Only To See And To Describe With Our Own Voices, And, Though We Are Seldom Heard As Soloists, We Cannot Photograph The World In Any Other Way.

What I'm Interested In Is Modern American History. I'm Taken With The Changes That Have Occurred In America In My Lifetime.