Film In The 20th Century, It's The

I've Been Extremely Lucky To Work With Elmer Bernstein, Howard Shore Over The Years, But I've Always Imagined Films With My Own Scores, Because I Don't Come From That World Or That Period Of Filmmaking. And So How Could I Make Up My Own Score On A Film Like This Where It Isn't Necessarily Made Up Of Popular Music From The Radio Or The Period; It Isn't Necessarily Classical Music. But What If It's Modern Symphonic Music?

Sam Fuller And 'shock Corridor' Can Only Be Conjured As A Mantra. 'shock Corridor' Is A Classic Work Of Art - It's Unique. It Comes From The Unique Experience Of Being Sam Fuller And Yes, There's Always That Element Of 'shock Corridor' Hovering Around The Picture, But Never Specifically. In Fact, I Didn't Even Screen It Because It's In Us. It's In Me Anyway. It's In Me. It Was A Way Of Conjuring Up Support Just By Saying The Name, 'shock Corridor,' As I Was Going To Shoot. Poor Sam [fuller]...

All I Can Do Is Try To Do The Best Work I Can. I Need To Work, I Like To Work... Although I Complain About It, But I Do Like It - And I Just Need To Make The Best Film I Can.

There's A Way That The Force Of Disappointment Can Be Alchemized Into Something That Will Paradoxically Renew You.

My Films Really Have To Be A Part Of A Whole Body Of Work That Says Something To Me.