Fathering Imposed An Obligation That Was More

The Magician Seemed To Promise That Something Torn To Bits Might Be Mended Without A Seam, That What Had Vanished Might Reappear, That A Scattered Handful Of Doves Or Dust Might Be Reunited By A Word, That A Paper Rose Consumed By Fire Could Be Made To Bloom From A Pile Of Ash. But Everyone Knew That It Was Only An Illusion. The True Magic Of This Broken World Lay In The Ability Of Things It Contained To Vanish, To Become So Thoroughly Lost, That They Might Never Have Existed In The First Place.

I Don't Have A Problem With Many Uses Of The Word Genre, Just Certain Ones. I Have The Most Trouble When These Labels Are Used To Prevent Discussion, To Prevent A Work From Being Taken Seriously As Literature. When We Say "genre," We Generally Mean "something Crappy," Something That Would Be Sold In An Airport.

There Are No Moments More Painful For A Parent Than Those In Which You Contemplate Your Child's Perfect Innocence Of Some Imminent Pain, Misfortune, Or Sorrow. That Innocence (like Every Kind Of Innocence Children Have) Is Rooted In Their Trust Of You, One That You Will Shortly Be Obliged To Betray; Whether It Is Fair Or Not, Whether You Can Help It Or Not, You Are Always The Ultimate Guarantor Or Destroyer Of That Innocence.

Literature, Like Magic, Has Always Been About The Handling Of Secrets, About The Pain, The Destruction, And The Marvelous Liberation That Can Result When They Are Revealed. If A Writer Doesn't Give Away Secrets, His Own Or Those Of The People He Loves, If He Doesn't Court Disapproval, Reproach And General Wrath, Whether Of Friends, Family Or Party Apparatchiks... The Result Is Pallid, Inanimate, A Lump Of Earth.

Misogyny Comes Naturally To A Young Man In His Late Teens; It Is A Function Of The Powerful Homosocial Impulses That Flower Along Fraternity Row, That Drove The Mod Movements Of The Middle Sixties And Late Seventies, That Lie At The Heart Of Every Rock Band Formed By Men Of That Age.