Everybody Knows Aaron Sorkin's Scripts. There's A

I Tend To Score With Songs From Western Pop Music.

Clearly, You Can Think Back And See That A Character Has Had Enormous Odds Stacked Against Him And Has To Overcome Them. It's Usually A Guy, I'm Afraid. But Then You're Setting Up A New Movie You Have Amnesia About These Meetings, When You've Discussed It More Analytically.

We Want To See Drama Told In A Cathartic Way, With Power, With Emotion Where You Empathize And Then You're Frightened. All Those Feelings Charge Up In You And You Feel For The Story.

Come A Crisis, We Want Other People.

I Haven't Got Anything Against Films That Are About The Minutia Of Relationships Or Customs, But I Love Extremes.