Everybody Has A Different Kind Of Talent

I Don't Walk On Stage Unless I'm Playing With A Orchestra. But When I Play A Recital, I'm Sort Of On A Scooter, And I Just Scoot Very Quickly On Stage, And They're Saying, Wow, Look At This. He's So Fast.

That Makes Classical Music Work, The Ability To Improvise.

For People Who Are Really Talented, What You Don't Say Becomes Extremely Important. You Have To Judge What To Say And What To Leave Alone So You Can Let The Talent Develop.

If You Play Something Well, I Don't Care What It Is. I Mean, I Don't Play An Electric [violin] - I Tried. It's Actually Interesting.

When You Play A Concerto With A Small Orchestra, You Don't Feel It Is As Important As Carnegie Hall. You Try To Work Out All The Little Problems. Once That's All Done, Trust Comes In.