Every Choice Has Its Obverse, That Is

My Working Method Has More Often Than Not Involved The Subtraction Of Weight. I Have Tried To Remove Weight, Sometimes From People, Sometimes From Heavenly Bodies, Sometimes From Cities; Above All I Have Tried To Remove Weight From The Structure Of Stories And From Language. . . . Maybe I Was Only Then Becoming Aware Of The Weight, The Inertia, The Opacity Of The World--qualities That Stick To The Writing From The Start, Unless One Finds Some Way Of Evading Them.

I Had Fallen In Love. What I Mean Is: I Had Begun To Recognize, To Isolate The Signs Of One Of Those From The Others, In Fact I Waited For These Signs I Had Begun To Recognize, I Sought Them, Responded To Those Signs I Awaited With Other Signs I Made Myself, Or Rather It Was I Who Aroused Them, These Signs From Her, Which I Answered With Other Signs Of My Own . . .

Each New Clarice, Compact As A Living Body With Its Smells And Its Breath, Shows Off, Like A Gem, What Remains Of The Ancient Clarices, Fragmentary And Dead.

The Soul Is Often In The Surface, And The Importance Of 'depth' Is Overestimated.

What About Books? Well, Precisely Because You Have Denied It In Every Other Field, You Believe You May Still Grant Yourself Legitimately This Youthful Pleasure Of Expectation In A Carefully Circumscribed Area Like The Field Of Books, Where You Can Be Lucky Or Unlucky, But The Risk Of Disappointment Isn't Serious.