During Prohibition, Atlantic City Created The Idea

Young Film Makers Should Learn How To Deal With The Money And Learn How To Deal With The Power Structure. Because It Is Like A Battle.

You Have To Remain Strong. That's The Kind Of Filmmaker I Want To Encourage. Orson Welles Was The One Who Said, You Know, You Can Learn Anything You Need To Know About Filmmaking- That's Camera, Sound, Celluloid, Video At This Point- In Four Hours. It Has Nothing To Do With Anything. It Has Nothing To Do With It... It Has To Do With What You Want To Say. If You Feel You Have Something To Say, You'll Find That Way To Get It Said, On Film, And Not Let Anyone Or Anything Chip Away At That Or Tarnish It, Because It's Something Special And Precious.

I Just Wanted To Be An Ordinary Parish Priest.

The Storyboard For Me Is The Way To Visualise The Entire Movie In Advance.

I Think What Happened There Was Just The Budget Would Be Too Big To Build These Sets Because Nothing Really Exists Here In New York Of That Period; You Have To Build It All.