But When Reflexion Begins To Play Upon

Beauty, Like All Other Qualities Presented To Human Experience, Is Relative; And The Definition Of It Becomes Unmeaning And Useless In Proportion To Its Abstractness. To Define Beauty Not In The Most Abstract, But In The Most Concrete Terms Possible, Not To Find A Universal Formula For It, But The Formula Which Expresses Most Adequately This Or That Special Manifestation Of It, Is The Aim Of The True Student Of Aesthetics.

She Is Older Than The Rocks Among Which She Sits; Like The Vampire, She Has Been Dead Many Times, And Learned The Secrets Of The Grave; And Has Been A Diver In Deep Seas, And Keeps Their Fallen Day About Her; And Trafficked For Strange Webs With Eastern Merchants, And, As Leda, Was The Mother Of Helen Of Troy, And, As Saint Anne, The Mother Of Mary; And All This Has Been To Her But As The Sound Of Lyres And Flutes, And Lives Only In The Delicacy With Which It Has Molded The Changing Lineaments, And Tinged The Eyelids And The Hands.

We Need Some Imaginative Stimulus, Some Not Impossible Ideal Such As May Shape Vague Hope, And Transform It Into Effective Desire, To Carry Us Year After Year, Without Disgust, Through The Routine-work Which Is So Large A Part Of Life.

That The Mere Matter Of A Poem, For Instance--its Subject, Its Given Incidents Or Situation; That The Mere Matter Of A Picture--the Actual Circumstances Of An Event, The Actual Topography Of A Landscape--should Be Nothing Without The Form, The Spirit Of The Handling, That This Form, This Mode Of Handling, Should Become An End In Itself, Should Penetrate Every Part Of The Matter;mthis Is What All Art Constantly Strives After, And Achieves In Different Degrees.

Books Are A Refuge, A Sort Of Cloistral Refuge, From The Vulgarities Of The Actual World.