But To Ask Pity Of Our Body

Laissons Les Jolies Femmes Aux Hommes Sans Imagination. Leave The Pretty Women For The Men Without Imagination.

Certain Favourite Roles Are Played By Us So Often Before The Public And Rehearsed So Carefully When We Are Alone That We Find It Easier To Refer To Their Fictitious Testimony Than To That Of A Reality Which We Have Almost Entirely Forgotten.

Thanks To Art, Instead Of Seeing One World Only, Our Own, We See That World Multiply Itself And We Have At Our Disposal As Many Worlds As There Are Original Artists, Worlds More Different One From The Other Than Those Which Revolve In Infinite Space, Worlds Which, Centuries After The Extinction Of The Fire From Which Their Light First Emanated, Whether It Is Called Rembrandt Or Vermeer, Send Us Still Each One Its Special Radiance.

The Soldier Is Convinced That A Certain Indefinitely Extendable Time Period Is Accorded Him Before He Is Killed, The Burglar Before He Is Caught, Men In General, Before They Must Die. That Is The Amulet Which Preserves Individuals — And Sometimes Populations — Not From Danger, But From The Fear Of Danger, In Reality From The Belief In Danger, Which In Some Cases Allows Them To Brave It Without Being Brave. Such A Confidence, Just As Unfounded, Supports The Lover Who Counts On A Reconciliation, A Letter.

The Places We Have Known Do Not Belong Solely To The World Of Space In Which We Situate Them For Our Greater Convenience. They Were Only A Thin Slice Among Contiguous Impressions Which Formed Our Life At That Time; The Memory Of A Certain Image Is But Regret For A Certain Moment; And Houses, Roads, Avenues Are As Fleeting, Alas, As The Years.