Being A Screenwriter In Hollywood Is Like

I Have Children. I Have A Family To Support. But I Really Could Live In A One-room Apartment, As Long As The Television Worked. I Never Needed Anything. Just A Comfortable Chair And I'm Fine.

In My Screenplays - From The Very Beginning I've Always Used Tape. I Talk My Screenplays. And Then Have Somebody Transcribe Them.

In The Course Of My Movies, The Financing And The Releasing Were Always The Tough Part. Because I Loved The Creative, I Loved The Writing, I Loved The Making Of It. Because I Guess, I Never Had The Giant Blockbuster, I Never Got That Sort Of Ease For The Next One. So The Next One Was Always, "how Am I Going To Do This?" And That Thing Was Sort Of Always The Thing That Made Me A Little Chickenshit To Go Into The Next One. The Writing Of It Was Great And The Making Of It Was Great, But How Am I Going To Release This Thing And Am I Going To Find A Studio?

What's Interesting About Books That Take Place In The Future, Even Twenty Years In The Future, Is That Many Of Them Are Black Or White: It's Either A Utopia Or It's Misery. The Real Truth Is That There's Going To Be Both Things In Any Future, Just Like There Is Now.

Acceptance Is Going To A Restaurant Where The Salad's Not Great, But The Steak Is Fine.