As Flannery O'connor Says, A Person Can

I've Had That Situation Where I Start Writing Somebody Really Miserable, And In Order To Make The Story Come Alive, I Have To Give Them A Vote Of Confidence, Make Him Vulnerable Or Wounded. But In Real Life, You Often Meet People Who, In That Particular Moment, Actually Shouldn't Get A Vote Of Confidence.

I Think Fiction Isn't So Good At Being For Or Against Things In General - The Rhetorical Argument A Short Story Can Make Is Only Actualized By The Accretion Of Particular Details, And The Specificity Of These Details Renders Whatever Conclusions The Story Reaches Invalid For Wider Application.

I Think That Tri [to Ram Bahadur Bomjon] Was The First Time I'd Even Seen Something That Made Me Think, Or Really Feel: "ah, I Don't Know What's Really Going On In The World - I Think I Do, And It Feels Like I Do, But Whatever Is Really Going On Is, De Facto, Beyond The Scope Of My Comprehension - The Best We Can Do Is Look For Hints." I'd Known That Intellectually Before But That Was The First Time I Really Believed It Viscerally.

If You Could Press A Button And Your Ego Investment Was Less, The Toothache Would Be Less. Or Less Tragic At Least.

The Switch That I'd Like To Throw On Is The One That Says, "look, You're A Human Being Whose Mind Is Every Bit As Active As Anybody Else's. Your Experiences Are Just As Real." For That Matter, Even If They're Even If They're Crazy, They're Valid. They Occurred In This World So They're Valid Topics For Literature.