And Now The Moment. Such A Moment

Don’t Romanticise Your ‘vocation’. You Can Either Write Good Sentences Or You Can’t. There Is No ‘writer’s Lifestyle’. All That Matters Is What You Leave On The Page.

There's A Perception That Novels Can't Usually Allow For Your Kind Of Absolute Attention To Detail.

I Remember So Clearly, In The Early Days, If I Had To Do A Piece Of Press, They'd Phone For Me And Say, 'oh, We're Going To Bring Hair And Makeup, It'll Take About Five Hours.' And I Said, 'well, If It Was Ian Mcewan, Would It Take About Five Hours? Would There Be Hair And Makeup? Cause If That's Not The Case, Then Don't Bring The Hair And Makeup.' So, It's Fascinating That They Just Assume: It's A Young Woman, She Must Want To Be Photographed For Five Hours. She Must Have Nothing Better To Do Than Delight In Trying On All Your Shoes. But It's Not The Case.

I Tap Danced For Ten Years Before I Began To Understand People Don't Make Musicals Anymore. All I Wanted To Do Was Be At Mgm Working For Arthur Freed Or Gene Kelly Or Vincent Minelli. Historical And Geographical Constraints Made This Impossible. Slowly But Surely The Pen Became Mightier Than The Double Pick-up Time Step With Shuffle.

The Secret To Editing Your Work Is Simple: You Need To Become Its Reader Instead Of Its Writer.