Amis Is Acutely, Vibrantly Sensitive To The

Amis Is Acutely, Vibrantly Sensitive To The Different Registers Of Laughter. He Knows That It Can Be The Most Affirming And Uniquely Human Sound, And Also The Most Sinister And Animalistic One. He Understands Every Note Of Every Octave That Separates The Liberating Shout Of Mirth From The Cackle Of A Bully Or The Snigger Of A Sadist.

September 11 Was A Day Of De-enlightenment. Politics Stood Revealed As A Veritable Walpurgis Night Of The Irrational. And Such Old, Old Stuff. The Conflicts We Now Face Or Fear Involve Opposed Geographical Arenas, But Also Opposed Centuries Or Even Millennia. It Is A Landscape Of Ferocious Anachronisms: Nuclear Jihad In The Indian Subcontinent; The Medieval Agonism Of Islam; The Bronze Age Blunderings Of The Middle East.

Seeing The World Anew, As If It Were New, Is As Old As Writing. It's What All Painters Are Trying To Do, To See What's There, To See It In A Way That Renews It. It Becomes More And More Urgent As The Planet Gets Worn Flat And Forest After Forest Is Slain To Print The Paper For People's Impressions To Be Scrawled Down On. It Becomes Harder And Harder To Be Original, To See Things With An Innocent Eye. Innocence Is Much Tied Up With It. As The Planet Gets Progressively Less Innocent, You Need A More Innocent Eye To See It.

For Both Of Us, I Think, It Had To Do With Our Weakened Power To Love. It Is Strange That Enslavement Should Have That Effect – Not Just The Fantastic Degradation, Not Just The Fear And The Boredom And All The Rest, But Also The Layered Injustice, The Silent Injustice. So All Right. We’re Back Where We Started. To You, Nothing – From You, Everything. They Took It From Me, It Seems, For No Reason, Other Than That I Value It So Much.

The Satirist Isn't Just Looking At Things Ironically But Militantly - He Wants To Change Them, And Intends To Have An Effect On The World.