All Painting Worth Its Name, Unless One

At A Distance This Fine Oak Seems To Be Of Ordinary Size. But If I Place Myself Under Its Branches, The Impression Changes Completely: I See It As Big, And Even Terrifying In Its Bigness.

I Go To Work As Others Rush To See Their Mistresses, And When I Leave, I Take Back With Me To My Solitude, Or In The Midst Of The Distractions That I Pursue, A Charming Memory That Does Not In The Least Resemble The Troubled Pleasure Of Lovers.

In Every Art We Are Always Obliged To Return To The Accepted Means Of Expression, The Conventional Language Of The Art. What Is A Black-and-white Drawing But A Convention To Which The Beholder Has Become So Accustomed That With His Mind's Eye He Sees A Complete Equivalent In The Translation From Nature?

Give Me Some Mud, And I Will Paint You A Woman's Flesh.

Finishing A Painting Demands A Heart Of Steel: Everything Requires A Decision, And I Find Difficulties Where I Least Expect Them... It Is At Such Moments That One Fully Realizes One's Own Weaknesses.