All Over China, Parents Tell Their Children

He's One Of Those Smart, Drifty Young People Who, After Certain Deliberations, Decides He Wants To Do Something In The Arts But Won't, Possibly Can't, Think In Terms Of An Actual Job; Who Seems To Imagine That Youth And Brains And Willingness Will Simply Summon An Occupation, The Precise And Perfect Nature Of Which Will Reveal Itself In Its Own Time.

How We Dress Is, As Far As I Can Tell, The Only Inescapably Public Choice That We Have. People Don't Need To Know What You Eat, People Don't Need To Know Who You Have Sex With. But There's No Escaping What You Wear And The Fact That You've Chosen It. Even If You Insist That You Don't Care About Fashion, That's Your Statement. It's Really One Realm Of Life Where You Are Forced To Make Your Own Statement.

This Is What You Do. You Make A Future For Yourself Out Of The Raw Material At Hand.

Dear Leonard. To Look Life In The Face. Always To Look Life In The Face And To Know It For What It Is. At Last To Know It. To Love It For What It Is, And Then, To Put It Away. Leonard. Always The Years Between Us. Always The Years. Always The Love. Always The Hours.

Philip Glass, Like [virginia] Woolf, Is More Interested In That Which Continues Than He Is In That Which Begins, Climaxes, And Ends... Glass And Woolf Have Both Broken Out Of The Traditional Realm Of The Story, Whether Literary Or Musical, In Favor Of Something More Meditative, Less Neatly Delineated, And More True To Life. For Me, Glass [finds] In Three Repeated Notes Something Of [a] Rapture Of Sameness.