All My Books Started Out As Extravagant

As Soon As Beauty Is Sought Not From Religion And Love, But For Pleasure, It Degrades The Seeker.

A Shepherd On A Hilltop Who Looks At A Mess Of Stars And Thinks, ‘there’s A Hunter, A Plow, A Fish,’ Is Making Mental Connections That Have As Much Real Force In The Universe As The Very Fires In Those Stars Themselves.

We Are Here To Witness The Creation And To Abet It. We Are Here To Notice Each Thing So Each Thing Gets Noticed. Together We Notice Not Only Each Mountain Shadow And Each Stone On The Beach But, Especially, We Notice The Beautiful Faces And Complex Natures Of Each Other. We Are Here To Bring To Consciousness The Beauty And Power That Are Around Us And To Praise The People Who Are Here With Us. We Witness Our Generation And Our Times. We Watch The Weather. Otherwise, Creation Would Be Playing To An Empty House.

Painters Work From The Ground Up. The Latest Version Of A Painting Overlays Earlier Versions, And Obliterates Them. Writers, On The Other Hand, Work From Left To Right. The Discardable Chapters Are On The Left.

What Do I Make Of All This Texture? What Does It Mean About The Kind Of World In Which I Have Been Set Down? The Texture Of The World, Its Filigree And Scrollwork, Means That There Is The Possibility For Beauty Here, A Beauty Inexhaustible In Its Complexity, Which Opens To My Knock, Which Answers In Me A Call I Do Not Remember Calling, And Which Trains Me To The Wild And Extravagant Nature Of The Spirit I Seek.