A Panda Walks Into A Tea Room

Do Remember, Though, That Unless You're A Playwright, The Result [dialogue] Isn't What You Want; It's Only An Element Of What You Want. Actors Embody And Re-create The Words Of Drama. In Fiction, A Tremendous Amount Of Story And Character May Be Given Through The Dialogue, But The Story-world And Its People Have To Be Created By The Storyteller. If There's Nothing In It But Disembodied Voices, Too Much Is Missing.

Those Who Dislike Fantasy Are Very Often Equally Bored Or Repelled By Science. They Don't Like Either Hobbits, Or Quasars; They Don't Feel At Home With Them; They Don't Want Complexities, Remoteness. If There Is Any Such Connection, I'll Bet That It Is Basically An Aesthetic One

As Great Scientists Have Said And As All Children Know, It Is Above All By The Imagination That We Achieve Perception, And Compassion, And Hope.

Safety Lies In Catering To The In-group. We Are Not All Brave. All I Would Ask Of Writers Who Find It Hard To Question The Universal Validity Of Their Personal Opinions And Affiliations Is That They Consider This: Every Group We Belong To - By Gender, Sex, Race, Religion, Age - Is An In-group, Surrounded By An Immense Out-group, Living Next Door And All Over The World, Who Will Be Alive As Far Into The Future As Humanity Has A Future. That Out-group Is Called Other People. It Is For Them That We Write.

Would You Really Like To Live In A Society Where You Have No Responsibility And No Freedom, No Choice, Only The False Option Of Obedience To The Law, Or Disobedience Followed By Punishment? Would You Really Want To Go Live In A Prison?